Sony is now giving us a choice but what should we get. Thanks to a favor of the e-shop Cyfrowepl we can present a gallery of some sample pictures taken with this lens attached to the full frame camera Sony A900.
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Carl Zeiss Distagon T 35mm F 2 Zf 2 For Nikon Excellent Zeiss Nikon 35mm
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Zeiss 16 35 2 8. The 24-704 looks good at F4 and. This gets interesting with the release of the new 28 GM. The Sony 16-35mm F28 ZA SSM Carl Zeiss Vario-Sonnar T complements the similarly large and heavy 24-70mm F28 offering professional-grade build and image quality on Sonys full-frame and APS-C format SLT cameras.
For more critical photogrammetric reconnaissance mapping and surveying use a value of 040 Photoshops Lens Distortion tool to remove any residual distortion shot at 3m 10 although there is some minor waviness left over. - the 16-35 f28 has a dedicated AFMF switch on the lens the f4 doesnt have it. In fact its also one of only two full format ultra-wide zoom lenses for Sony Alpha available today not counting discontinued lenses - the other one is the Sigma AF 12-24mm f35-56 EX DG HSM.
The 3528 prime is superb at F4 with a little extra contrast showing up at F56. To sum up the differences quickly the Sony 35mm is sharpest in the corners and along the sides and also has much less light fall-off. In general 90 of my shots are shot with a 16-35 lens in my case the Sony Zeiss 16-35 f4.
And its a super-fast f28. Sony branded Carl Zeiss Vario-Sonnnar T 16-35mm f28 ZA lens first released in late 2008 is marketed as a premium UWA zoom that can be used in most demanding and challenging situations. Fortunately this lens has other interesting features and characteristics as well.
Because Sony didnt have a f28 lens before this was an easy choice. - the 16-35 f28 is almost twice as expensive as the f4. - the 16-35 f4 has a more characteristic sunstar see above matter of personal preference.
The Sony Carl Zeiss Vario-Sonnar T 16-35mm F28 ZA SSM has a long and interesting name thats for sure. The Sony Zeiss 35 28 has no visible distortion as shot on the Sony A7R II which is probably correcting it. In September 2008 Sony presented the lens Carl Zeiss Vario Sonnar 16-35 mm f28 T SSM which for a full frame camera gives a very wide field of view in the range 107 - 63deg.
Its capacity for high torque at low rotational speeds contributes to fast start and stop response as well as precise positioning. Three Aspherical Elements Capture dynamic landscapes and wide perspectives with the full-frame A-mount Vario-Sonnar T 16-35mm f28 ZA SSM II Lens from Sony. I used to bring my 16-35 f4 along with a fast wide angle prime if I needed it.
886 gr 136mm 2500 euros 9 blades lamelles The lens is very well built like all the GM series You are surprised by it relative low weight considering the significant size of the lens. The SSM Super Sonic wave Motor is a piezoelectric drive system that works with an internal focus mechanism in the Vario-Sonnar T 16-35 mm F28 ZA SSM II for smooth silent autofocus with no front element rotation. Featuring a constant f28 aperture shooters will enjoy a consistent exposure throughout the zoom range as well as the ability to create images with a shallow depth of field.
On the outside there is the usual Zeiss-type black finish with the texture. It has a circular 11 blade aperture and Nano AR. The 16-35mm f28 features 16 elements in 13 groups including 2 XA extreme aspherical 3 aspherical and 2 ED elements.
Thanks to Sonys SteadyShot in-camera stabilization this is the worlds only large-aperture full-frame-capable wide-angle zoom with the benefit of image stabilization as of Sept. The 16-354 is a little soft all over at F4 but sharpens up very nicely at F56. FE1635 F4 Zeiss 518gr 99mm 1200 euros 7 blades lamelles FE2470 F28 GM.
The Zeiss Vario-Sonnar T 16-35mm f28 ZA SSM is the first newly designed ultra-wide angle Sony lens since the introduction of the Alpha system. This Carl Zeiss lens is a super-wide angle 16-35mm zoom. Corner sharpness distortion and ghosting and use the Sony CZ 16-35mm F28at 35mm and the Sony 35mm F14.
- the 16-35 f28 is very sharp wide open. It kind of opens up a new world. Pixel peepers will notice a tiny bump up in sharpness by using F8.
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