This Tokinas optical performance is exceeded only by Nikons 16-35mm f4 VR which I prefer to either of the Nikon 14-24mm or this Tokina 16-28mm because the Nikon 16-35mm takes. This second lens in the Opera line-up has a robust build and delivers very good image quality but its not a dramatic improvement over Tokinas older ATX 16-28mm f28 Pro lens.
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The latest competing Sigma 14-24mm.
Tokina 16 28mm reviews. The latest competing Sigma 14-24mm. The new Tokina Opera 16-28mm F28 is the second lens in the premium Opera series lineup for high-end DSLR users following the first Opera 50mm F14 lens which was released a few months ago and this wide angle lens is coming in a very competitive price for Nikon F and Canon EF mounts. Theres no point in buying this lens for a camera with an APS-C sized sensor because its big and bulky and there are plenty of lighter and cheaper alternatives that are just as fast.
Posted on June 23 2011. Here at DxOMark we are celebrating the first anniversary of our lens test results section launched on June 22nd last year. This Tokina 16-28mm f28 comes in in both Nikon and Canon EOS mounts.
The new Tokina Opera 16-28mm F28 is the second lens in the premium Opera series lineup for high-end DSLR users following the first Opera 50mm F14 lens which was released a few months ago and this wide angle lens is coming at a very competitive price for Nikon F and Canon EF mounts. Tokina AT-X 16-28 F28 PRO FX review. Tamron 17-35 vs Canon 16-35 28 II L Comparison Review.
The tests are not scientific meaning they arent super controlled with tripods controlled lighting etc. This Tokina 16-28mm f28 is as good optically as Nikons world-changing 14-24mm f28 of 2007 and this Tokina lens costs less than half as much. The weight also helps when stabilizing the lens for a handheld shot.
This 12-28mm lens covers a broader zoom range than almost all other competitive lenses and also focuses more closely. The data on which this review is based marks the 1700th cameralens combination available in our. This second lens in the Opera line-up has a robust build and delivers very good image quality but its not a dramatic improvement over Tokinas older ATX 16-28mm f28 Pro lens.
It is also the most sturdy third-party ultra-wide lens on the market but then again rock-solid lenses are a Tokina. Tokina Opera 16-28mm f28 FF review Add drama to wide-angle shooting with the second of Tokinas new Opera lenses By Matthew Richards 08 April 2019. 99 out of 10 shots looked just like these but you may notice slight.
Inspired by the focal length and aperture of the widely acknowledged Tokina AT-X 16-28mm F28 PRO FX lens Tokina opera 16-28mm F28 FF has been developed with the same concept as the already released. Competition is much less in the target. It has optics at least as good as Nikons or Canons own competitive lenses and this Tokina sells for less and is built tougher.
The 16-28 zoom range gives the professional photographer a super-wide angle of view to get close to subject for dramatic effect or to take in entire scenes. This Tokina is also as good optically as Canons 16-35mm f28 L II. New Tokina opera 16-28mm F28 FF.
There is no sharper ultrawide DX zoom nor is any other. The Tokina 12-28mm f4 is an ultrawide zoom with extraordinary optical performance. The Tokina 16-28mm is the sharpest third-party ultra-wide f28 zoom ever.
I took many shots and kept the best from each. This new Tokina lens is the first in a new generation of full frame FX lenses designed for professional digital SLR cameras like the Canon EOS 5D Mark II and the Nikon D700 and D3x. A Tokina wide-angle lens.
Read our Tokina AT-X 16-28mm F28 Pro FX Review to find out if its worth considering instead of the Canon and Nikon alternatives. While the lens body is made from a quality-grade plastic there is a lot of glass in this body and glass is not light. See the Tokina website for more information and BH Photo for sample shots taken with the lens and a first impressions review.
In this review well take a look at Tokinas Cinema version of their 16-28mm f28 lens. The Tokina Opera 16-28mm F28 FF is a brand new ultra-wide-angle zoom lens for Nikon and Canon DSLR cameras boasting a fast constant aperture of f28 and an appealing price-tag. Read our in-depth Tokina Opera 16-28mm F28 FF review now complete with full-size sample images.
Actually its the second-sharpest f28 ultra-wide zoom on the market period. Tokina Opera 16-28mm f28 FF review Add drama to wide-angle shooting with the second of Tokinas new Opera lenses By Matthew Richards 08 April 2019. Currently available to fit Canon EF and Arri PL mount cameras this ultra-wide angle zoom promises crisp.
There this review could be done now. Incredibly well-built the Tokina 16-28mm is a good match for cameras like the Canon EOS 5D MK II that we tested it with. Unfortunately the Tokina 16-28mm f28 turned out to be a poor performer when it comes to infrared photography I did not realize how bad things were until I viewed images on my computer and tried to do a few conversions.
The Tokina AT-X 16-28mm F28 Pro FX is an affordable wide-angle lens for full-format DSLR users. Each lens was mounted on a Canon 5D I. Although most of the images in this review are from my IR-converted D800E I struggled quite a bit with post-processing and trying to reduce hot spots in the center of.
The weight gives this lens a heft making it seem quite solid. For many more comparisons review the complete Tokina 16-28mm f28 AT-X Pro FX Lens Specifications using the sites Lens Spec tool. Announced in July 2010 Tokinas AF 16-28mm f28 AT-X Pro SD FX is the first in a new generation of ultra-wide angle lenses for cameras with 35mm-sized imagers.
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