Tokina 11-20 f28 is incredibleand really bad. In this case I knew the Tokina was optically sharp excellent lens costing almost half what the Nikon 10-24 all plastic pumper zoom sold for.

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Tokina 11 20mm F 2 8 Review Best Camera Photo Gear Camera Lens

The Tokina 11-20mm is as good optically as Nikon and Canons lenses and its faster f28 and much tougher.

Tokina 11 20 review. Buy Tokina AT-X 11-20mm f28 PRO DX Lens for Nikon F featuring F-Mount LensDX Format 165-30mm 35mm Equivalent Aperture Range. For Nikon DX and Canon 16x APS-C cameras only. For Canon Id get the superb Canon 10-18mm EF-s which is at least as good optically for half the price although the Canon 10-18mm is a very light-duty plastic lens with superb optics.

FK01 and FK03 glass elements achieves superior contrast and sharpness and corrects for spherical aberrations. This free websites. Mar 22 2015 First real-world testing of my new 11-20 lens is in the bag.

Tokina 165-135mm DX 19 January 2011. Comparing Nikons 10-24 to Tokinas 1120. The wide angle of view makes the Tokina 11-20mm a useful lens for landscape architecture and interiors as well as for shooting in restricted spaces.

The 11-20mm has a cine-style metal housing and despite its compact size it still tips the scales at 11 kg 24 lb in PL mount. Took my D7100 along with me to Jackson Hole ski resort this weekend with the Tokina attached for some mountain landscape shots. The Tokina AT-X 11-20mm f28 Pro DX lens is designed for crop-sensored DSLR cameras and is well suited for photographers who like capturing wide angle day-time landscapes and those who like me spend many cold winter nights capturing images of the Milky Way Astrophotographers.

For DX and 16x cameras only. Nikon being a slower variable aperture lens was at the. For DX and 16x cameras only.

Tokina AT-X 16-28mm f28 09 Dec 2010. This Tokina 11-20mm extends the overall zoom range of the well-respected 11-16mm versions while still maintaining a constant-aperture design delivering f28 at all focal lengths. Tokina 11-16mm f28 II Review.

Tokina 12-28mm f4 Review. The 11-20mm has a new proprietary optical design that uses three aspherical lens elements 2 all-glass molded and 1 P-MO lens. One-Touch Focus Clutch Nine-Blade Diaphragm.

Not only is the zoom range great but Tokina indicates that the optical design is further improved. The lens is beautifully made and the focus iris and zoom rings all have just the right amount of resistance. One of the things that made the original 11-16mm lens so popular was its combination of sturdy build and good optical performance at an attractive selling price.

The Tokina 11-20mm may have a wider angle of view but the f2 of the 14-20mm allows more light gathering and that means more stars captured and more flexibility to change exposure time or ISO. A versatile wide-angle zoom for Nikon DX-format DSLRs the AT-X 11-20mm f28 PRO DX Lens from Tokina offers a 165-30mm equivalent focal length and features a constant f28 maximum aperture for maintained brightness throughout the zoom range. The stills version of the 11-20mm F28 in Canon EF mount weighs in at 560 g 12 lb.

Coma is not bad at all and Chromatic Aberrations CA are well corrected. Three SD Super-low Dispersion. The lens is designed for use with Nikon DSLR cameras with APS-C DX sensors.

Wide-angle lenses can also create some dramatic pictures as they exaggerate the distance from the near to the far making subjects in the foreground appear very big. I have a difficult challenge with comparing lens to others in the same wide DX zoom range. If all things are close to equal I side on cost savings.

The 11-20mm has a new proprietary optical design that uses three aspherical lens elements 2 all-glass molded and 1 P-MO lens. That raises curiosity since the Tokina 11-16 mm version 1. The Tokina AT-X 11-20 PRO DX goes beyond where the successful Tokina AT-X 11-16 PRO DX-II stopped.

Details About Tokina ATX 11-20mm F28 The Tokina AT-X 11-20mm F28 PRO DX ultra-wide angle lens features an expanded telephoto zoom range and improved optical performance. Three SD Super-low Dispersion. For DX and 16x cameras only.

F28 to f22 P-MO. FK01 and FK03 glass elements achieves superior contrast and sharpness and corrects for spherical aberrations. FX DX and 35mm Film.


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