The Nikon AF-S Nikkor 16-35mm f4G ED VR lens can shoot images at dramatic wide angles but it needs to be stopped down for edge-to-edge crispness. The inner barrel is made from plastics and shows no play.

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Nikon AF-S 16-35mm F4G ED VR.

Nikon 16 35 f4 reviews. Having made the switch to Sony from Canon earlier this year I had been using the Sony 16-35 f28 ZA lens that while impressive was pretty bulky and heavy. The 16-35 is a better performer especially concerning corner and around the edges. The 16-35 VR is sharper and adds VR which makes it my personal choice even if it has a lot more easy-to-correct distortion.

It will no doubt be sharper than the 16-35 across the frame. The zoom-ring allows for very precise zooming with a very even resistance and zero play. On September 15 2014 the Sony FE 16-35 f4 OSS SEL1635Z wide angle lens was announced.

Needless to say I was excited. The 16-35mm f4G was a bit of a surprise when it first appeared. In the close distance the difference is not considerable.

NIKON D700 16-35mm f4 35mm ISO 100 151 f220 The Vibration Reduction II VR II system on the Nikon 16-35mm f4G VR is truly amazing. With a constant f40 aperture and image stabilization it offers very nice features plus starts at 16mm which is very wide on a full-frame camera. Throughout the zoom range this lens is.

It also works on cropped-frame DX format models where it becomes equivalent to a 24-53mm zoom. It is the improvement that Nikon has made to their lenses. Ive had some huge enlargements done with most of my lenses and I managed to get some fantastically sharp results from the 16-35.

This Tokina 17-35mm f4 FX is a great choice if you dont want to buy or to carry Nikons superior but not professional 16-35 VR. Thanks and I did consider it. Specifically for Nikon.

Its an ultra-wide angle zoom lens thats compatible with Nikons full-frame FX format DSLRs and was announced in 2010. The Nikon 16-35mm f4 VR is fairly big for a medium-speed wide zoom - in fact the lens is so long that you could be forgiven for mistaking it for a telephoto lens at first glance. This Sony FE 16-35mm f4 ZA OSS T is built well and feels quite solid.

Its a great landscape lens though. While I managed to photograph over 47 weddings with only 3 prime lenses the 28 50 and 85 I decided that I want to add a couple lenses to our collection that would add versatility to our clients wedding photos. The lens is very sharp but I dont like the feel of the focus ring or the flare issues.

The 16-35 f4 is a tough lens. In fact having a neutrally buoyant rig made it feel almost effortless to move around underwater. The 16-35mm focal range offers the versatility to shoot fine art photography landscapes skylines and more.

Nikon 16-35 f4 Lens Review. MSRP 125995 140995 at. But performance is a bit behind what Id expected from a gold-ringed Nikkor zoom and at this price-point.

When you need to go wide you need to go wide. High performance in the center and the DX image-circle is. The Nikon 16-3540G VR is a mixed bag.

And 2 it wasnt a 17-35mm replacement. I think DP Review is right. Performance For this review the lens was tested on a 12Mp Nikon D700 using Imatest.

Sony a7r with the Sony FE 16-35 f4 OSS wide angle lens in Hawaii. A super-wide angle lens that comes with handy zoom and exceptional image quality the AF-S NIKKOR 16-35mm f4G ED VR is the ideal camera for a range of indoor or outdoor photography as well as HD videos. I have never been able to produce a sharp hand-held shot at 12 of a second on a wide-angle lens and I was able to get quite a few good shots even at the shutter speed of 1 second 16mm.

Initially public sentiment was positive for this lens mostly because everyone thought that it was the modern wide angle zoom that restored filter use. The Nikon 16-35mm F4 lens is a large expensive lens - and it is worth every penny imho. Situated on the side of a mountain in driving sleet and snow for six hours waiting for after storm light I just kept knocking sludge off of it and the D700.

The rig is huge but you can quickly get accustomed to it and you will not feel limited underwater in the least bit. But when It comes to further distance you can see that 16-35 does actually give a much crisper photo a huge dramatic difference in sharpness. 1 it had VR.

Ill have it along for night photography but I want to use an ND filter for lightning shots if there are cooperating thunderstorms over the canyon so that leads me to the choice between the 16-35 and the 24-7028 non VR. The AF-S Nikkor 16-35mm f40G ED VR is the gold-ringed sister to Nikons 18-35mm f35-45G ED. The outer barrel is made from metal as is is the filter thread.


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